The Glamorous Comeback of the Ousted Heiress

When the opening performance concluded.

The applause lasted a long time.

People nearby whispered, “It really is one of the ten great guzheng masterpieces.”

Mentioning “The White Robed Journey” inevitably reminded people of Bai Xiangjun.

Dean Jian also came out of his reverie and evaluated the performance with Bai Lian, “This piece is too domineering; their individual expressive power falls short, unable to convey the right feeling. So, it takes a quartet to produce such momentum; the Miss Bai who composed this piece is truly a once-in-a-generation talent.”

So, when Bai Lian single-handedly performed that resounding momentum at the school anniversary, Dean Jian knew she was no ordinary person.

Bai Lian: “…”

She tilted her head slightly, not speaking.

Dean Jian was used to her silence, then remembering something, “You also have the surname Bai.”

“Right,” Bai Lian nodded.

“Who exactly is your teacher?” Prompted by Principal Luo’s inquiry, Dean Jian also was curious about Bai Lian’s mentor, as he still hadn’t figured out who taught her.

Bai Lian bowed her head slightly, seemingly lost in thought.

After a long while, just when Dean Jian thought Bai Lian would still not respond, Bail Lian suddenly spoke, “Qin Jiu.”

“What?” Dean Jian paused.

“Didn’t you ask who my teacher is? Mr. Qin Jiu,” Bai Lian’s wrist rested on the adjacent armrest, her fingertips lightly tapping it. She turned her head, this time very seriously, “My teacher, the one who instructed me, is Teacher Qin Jiu.”

Qin Jiu, now respectfully known as the “Master of the Qins.”

The Jiangjing Music Academy still maintains offerings for him.

Those who study the guzheng, who have studied history, all know that Qin Jiu had two disciples.

One was Princess Huai’an, Jiang Suyi, who had gone far to marry and become eternally famous, leaving behind “Imperial Scenery Map of Jiangjing.”

The other was the stunningly talented young mistress of the Bai Family, Bai Xiangjun.

In turbulent times, heroes emerge; of the ten great guzheng masterpieces, Qin Jiu himself composed three, and together with his two disciples’ “Desert Melody” and “The White Robed Journey,” they boldly claimed half of the realm of guzheng music.